camrogers | (no subject)

I'm halfway through Spook Country, William Gibson's latest (it came out a year or so ago.) I've been rereading his stuff for the last few months, when I've had time. He gave up writing specfic once he realised we were now living in the future, and then his stories switched to tales extrapolating on current iPod-chic cyberpunk2.1 cloak-and-dagger trends that turn the gears in places we don't - or can't - look. The usual Gibson things are in there: low-profile corporations so rich they're omnipotent, everyman protagonist (usually female) hired by said company for their one unique culturally-specific skill and given an unlimited expense account, parallel stories running thousands of kilometres apart that eventually intertwine in the last chapter. His voice and style were the single biggest influence on me as a writer, and is largely responsible for me being able to work out what my voice was. He's probably the only writer I've really stuck with, and it's been almost 20 years since I first picked up something of his.

I do wish he'd turn out at least one more 1980s-style cyberpunk novel though. He says it can't be done, but I think it can. You just write the thing like it's still 1983 and you're speculating on life in the 21st century.

Which is precisely how they should shoot a film of Neuromancer, in my opinion: CDs don't exist, music and data is stored on tape, and Coke still comes in bottles with caps or cans with ring pulls. The net is scary VR, computers are greenscreens and people are still deeply social in meatspace: bars, clubs, bands, poker games, road trips, kitbashed communities, artists, streetcorner prophets. No 'social networking applications.' No blogs. No mobile phones. No email. People who know how to put one foot in front of the other without Googling it first. The lateral repurposing of cast off high tech by the cast out low life.

Putting Hayden Christiansen in it is not a good first move.

The articles I've found date from January. I'm hoping it doesn't fly. The guy who did Torque was directing, last I heard.

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Why wouldn't it work? Establish that firmly in the first few minutes, as well as via the advance publicity, and it's a marketing hook. As well as establishing the director as someone whose actually thought about what they're doing. IMO, at least.

Fact is, retro scifi is making a comeback by way of steampunk, and increasingly films are setting stories in a pre-Google era because everyday omniscience sucks the drama from a story.

Why wouldn't it work?

I was being snarky about the Hollywood system and the lack of marketing tie-ins. :)

Ah. My turn to get it wrong. :)

I think our snark sensors are out of alignment. :)